The poem ‘Eating The Rich’ by Heathcote Williams was published in 2014 by Cold Turkey Press in a limited edition of 36 copies. The poem comments on the company BiteLabs’ idea to grow test-tube meat from celebrity body cells and sell the resulting meat products to consumers. “Human protein, the latest product of capitalism’s dark art”, is how Williams describes these products to conclude that “…when global collapse causes global food shortage / The blow can be softened by the thrill / Of knowing that fortune may intervene and serve up / A lifesaving dish of celebrity road-kill”. Well, friends, try it yourselves. Bon appétit!
Hans-Peter Feldmann – Die Toten, 1967-1993
Made available from our archives is a fine copy of Hans-Peter Feldmann’s Die Toten, 1967-1993. The softcover book was published by Feldmann Verlag in 1998 and compiles – in pictures culled from printed matter of the period – the violent deaths of almost 100 people between 1967 and 1993. Deaths that resulted from the escalation of violence in Germany following the murder of student Benno Ohnesorg in 1967 and ended with the deaths of police officer Michael Newrzella and RAF member Wolfgang Grams in 1993. This rare and sought-after artists’ book documents the often underestimated death toll of a radical and violent period in recent German history.
Sea Urchin distributes Pigface Records!
Since 1979 Pigface Records has had a dual mission: reflecting Smegma’s personal, L.A. centric freak aesthetic and revelling in aspects of the current and past Portland scene. After the initial burst of vinyl and cassettes (1979-86) there was a 25 year or so break. Pigface Records has been reinvented by founder Ju Suk Reet Meate as a cassette label to carry on this work into the future. Sea Urchin is excited to join forces with Pigface Records! → Go to our new catalogue
Article on Ju Suk Reet Meate’s reborn Pigface Records label on the Willamette Week website, 24 April 2013:
Outer Worlds #10: Pigface Records Reborn
Even if you’ve never had the privilege of visiting the Northeast Portland home of Ju Suk Reet Meate and Rock & Roll Jackie, if you’ve heard some of the deliciously overstuffed music the two have recorded as The Tenses or as members of the long-running collective Smegma, you might be able to envision what it looks like.
Jan Herman and Norman Ogue Mustill reveal ‘The Condition’
The front of this hallucinatory postcard, published by Cold Turkey Press in a limited edition of 36 copies, shows a collage by the recently deceased Norman Ogue Mustill. It is “Mustill in a light sorta mood, or so he thought”, writes his friend Jan Herman, “light for him, anyway: no severed bodies or bloody stumps. He did not always ream out the human race. He had a feel for the vulnerability of pop culture, which he liked to satirize”.
When Cold Turkey Press publisher Gerard Bellaart asked Jan Herman to add a couple of lines to Mustill’s collage, Herman came up with a strange and slightly disconcerting cut-up text called ‘The Condition’: “Thus, from San Francisco to the farthest capitals of the Occident”, the text reveals, “they saw take hold The Condition in all its ugly and irrefutable proportions.”
New poetry editions from Cold Turkey Press
Nelson Algren – On The Heart It Don’t Matter How You Spell It
“Never play cards with a man called Doc. Never eat at a place called Mom’s. Never sleep with a woman whose troubles are worse than your own.”
American writer Nelson Algren (1909-1981) is probably best-known for ‘A Walk on the Wild Side’ (1956) and his earlier novel ‘The Man with the Golden Arm’ (1949). Algren’s protagonists invariably belong to the lower walks of life. From the frog perspective of pimps, whores, junkies, and drunks Algren looks up at the world and comments on its dealings.
In his poem ‘On The Heart It Don’t Matter How You Spell It‘ Algren knocks Frank Lloyd Wright – “the saint of American architecture” – off his pedestal and pitches Wright’s modernist architecture against “ragged tents pitched on the open prairie” and Wright’s desire for immortality against “a secret remembrance inscribed on the heart”.
Heathcote Williams – My Dad and My Uncle
‘My Dad and My Uncle‘ is an unusually personal poem by Heathcote Williams, “written upon learning that WWI centenary Remembrance plans are to be given £50 million by the UK government, BBC News, 11 October 2012”. Recounting the experiences of both his father and his uncle Jack in the army during WW1 and the impact these events had on their lives, Heathcote Williams composes a powerful and heartfelt protest against war and any “sentimental patina” or “mythologized tales” hiding its ugliness and senselessness.